When word came that Ballers was coming to HBO, I was pretty damn stoked. Game of Thrones isn’t for me. It’s about wizards, right? – Just not my bag. The Newsroom was so ham-handed that I lost interest. Those other HBO offerings never got me excited, But Ballers! I mean – its Ballers! Let’s throw together things I really like and produce it slickly. Good job, HBO. Continue reading
This week Jane attempts to convince Kerri that the NBC drama Parenthood is the perfect show for her.
Jane: Parenthood is my show. I know we could be round-tabling about the brilliant last episode of Community or the crazy-butt-crazy things happening on Hannibal (or not happening, I can’t tell,) but those shows haven’t been consuming my TV life in the same way. I want them to consume Kerri’s life too. If there is one thing I know, Kerri will love this show as much as I do. Kerri, you need to watch this show and you need to start soon because I really, REALLY need to talk to you about it! To get down to basics, I know you will love this show because it is about good people. They are flawed people sure, but they are trying to do what’s best for the people they love. What I think creator/writer Jason Katims does so well is present and perfect tired TV clichés (a son with a disease that makes him different, grown children moving back home, balancing work and family life) in new and surprising ways. Katims reveals many sides and corners to previously one-note stories by populating Parenthood with well-intentioned characters and not passing judgement on them. Life is hard and everyone is trying to do the right thing. I think as a lover of good people and creative melodrama, you will fall deeply in love with this show. I really do. I know you’ve seen the pilot. What were your initial thoughts?
This week Kerri and Katie attempt to discuss the penultimate episode of season three of Orphan Black.
For the second week in a row, the Golden Age of Television is reviewing a mystery. The title of this article could be, “Guys! Something Shot in Manitoba is ACTUALLY REALLY GOOD!” or, “I Never Thought I’d Like a First-Run-Syndicated Detective Procedural Set in 1880’s Kansas” or, “If You’re Looking For A Show To Watch With Literally Any Family Member, The Pinkertons Is It.”
Set in post-civil war, pre-prohibition era America, The Pinkertons takes place in the Wild West, where all of the drinking, shooting and gambling requires the constant presence of sheriffs, US marshalls and detectives. The Pinkerton Detective Agency sets up shop in Kansas City, where there are plenty of murders to go around and money to be made by solving them. Continue reading
DISCLAIMER: Netflix has been monitoring my email and due to my importance as a customer, they’ve immediately added Miss Fisher’s Murder Mysteries to Canadian Netflix as of June 1, 2015.
To the creators of Miss Fisher’s Murder Mysteries,
I am writing to you today because I love your show. I love watching the adventures and exploits of Phryne Fisher (played with unwavering pizzazz by Essie Davis), solving mysteries while impeccably dressed in jazz-soaked 1920’s Australia. I love that Phryne is independently wealthy and just decides one day that detective work would be fun. I love that Phryne is a collector of people, like Bert and Cec, the drivers/working class thugs/dock workers (I really don’t know how they earn their keep); or Dot, the timid and shy young woman who becomes Phryne’s maid/confidant; or the Little Orphan Annie-type kid that Phryne adopts who disappears for long stretches whenever convenient to the plot; or the many, many men that come in and out of Phryne’s life and bed. All of whom Phryne uses to help her solve mysteries. It is the perfect show to watch during the summer months and, since we are finally having a semblance of warm weather here in the arctic tundra known as Winnipeg, I’ve been devouring the first season. The show is fluffy and fizzy and feminist and I love it. Almost everything you need to know about the show can be summed up by this promotional photograph:
I have previously waxed poetic about the lovely if not talented David Letterman on this forum; and since the GAOTV divas have done several valentines to Mad Men, Justified, et al – I’ll drudge some more Letterman figurative felatio. Continue reading
This week, we attempt to discuss the series finale of Mad Men.
Kerri: First off, I’d like to gloat. I long ago stopped making public predictions about Mad Men (I kept making predictions in secret) because I never, ever, ever got anything right ever. Well, it’s been 7 seasons and finally, in the last episode, FINALLY I got something right. I almost got two things right, so maybe we can score me a plus 1.5 (and minus, like 3 thousand, but that’s beside the point). First, I declared that Peggy and Stan should get together. And they did. Beautiful, wonderful, perfectly banter-y Peggy and Stan realized what we’ve known for a long time and professed their love for each other. And, I mean, ok, sure, as far as things being telegraphed from miles away, this relationship was a straight ahead lazer beam. So I got the obvious thing right. Way to go, me. (At one point I had also said that Peggy and Joan should start their own firm. I was this close, too, dammit). But here I am speaking in “shoulds”. And if Mad Men railed against anything, just like the hippie retreat in the last episode, it was these “shoulds”, these things that we expect to happen in our TV shows, with our favourite characters. Because I do know as an audience member I deserve nothing. What I want to happen won’t always happen and what I think should happen is meaningless. Just like in life. Continue reading
I didn’t think I’d like Parenthood, a show about family relationships which focuses on the conflicts of the Braverman family. A premise that leaves much room for over-dramatic clichés.
And it starts out that way. Continue reading
Have you seen this face?
Two men sit across from each other, glass separating them, talking on telephones – one a lawman and one a long sought-after criminal. The lawman, Raylan, has just informed the criminal, Boyd, that a woman that they once both loved died in a car accident. This is a lie and Raylan tells it to protect this woman, Ava, knowing that if Boyd ever gets out of prison, he’ll go after her because she double-crossed him – to murder her, or to reunite with her, we don’t know for sure. Likely the former but probably the latter. And then we get the words that end Justified, a very good if inconsistent show about, among other things, two men pitted against each other since, seemingly, time began or at least before they were born. We get some fine words for us to ponder as the show goes off into the sunset. Not the shoot-out between Raylan and Boyd that so many wanted and that the show had been teasing. No, instead, we get these words. Two men talking.